DEAN MILAN
director, producer, cinematographer, photographer, colorist

After the untimely death of her husband, a widowed mother safeguards her young daughter's happiness on her 8th birthday by playing one of the pre-recorded tapes he's made for her before his passing. Credits Director, Writer: Dean Milan Producer: Taylor Symone Asst. Director: Jamison Moore Cinematographer: Heidi Price Production Designer: Kristen Meiners Editors: Rachel Gross, Dean Milan BG. Music Composer: Lee Levin "Cynthia's Song": Will Van De Crommert Costume Designer: Kate Rose Camila: Brindisi Capri Mom: Valerie DuPree Dad: Kevin DuPree Audre: Makenzie Busby Audre's Dad: Trevan Busby Asst. Camera: Tori Gonzalez Boom Op & Sound Mixer: Luke Yambor Colorist: Dean Milan Sound Mastering: Dean Milan VFX: Dean Milan Gaffer: Dario Vergara Grip: Mikko Martin Makeup: Elly Sartain PA, BTS Photographer: William Brown PA, BTS Videographer: Aishwayra Kumaar https://deanmilan.me https://instagram.com/deanmilan_ https://www.imdb.com/name/nm11369901/ https://www.linkedin.com/in/dean-milan Camera nerdy like me? :3 Technical stuff I used for this, RED Komodo 6K Cinema Camera DZOfilm Primes Blackmagic Pocket Cinema Camera 4K Metabones Speedbooster MFT-EF Rokinon Cine DS Primes Davinci Resolve 19 Avid Pro Tools Handbrake Audacity artlist.io FilmConvert Pro Nitrate Leave any comments or questions down below or message me personally! I love to take in new input.

Two motorcycle friends: Liam, who's not so smart, and Charlie, well equipped in life! Despite a history of bad decisions and now a cheap helmet that's cracked, Liam accepts Charlie's guidance on making a proper investment. Ride through the sunset... Thanks to my wonderful crew who's helped make this happen on such a short notice! "Charlie": Charlie Knight (@knight_spidey) "Liam": William Brown (@willbrownie4) Director, DP, Producer: Dean Milan 1st AC, AD: Kyle Smith (@kylesm_03) 2nd AC, Gaffer: Cole Mihalich (@colemihalich) Boom Operator, Sound Mixer: Luke Yambor (@sunsetloker) Grip, PA: Marcus Taylor (@saymartay) Also thanks to all the businesses and corporations that provide me their locations for filming! Goodwill Staples Inc Office Supplies J Parkers Men's Clothing Store The LOWE Apartments Expansive Johnson Square Rental Agency Cycle Gear Motorcycle Equipment https://deanmilan.me https://instagram.com/deanmilan_ https://www.imdb.com/name/nm11369901/ https://www.linkedin.com/in/dean-milan Camera nerdy like me? :3 Technical stuff I used for this, RED Komodo Rokinon Cine DS Primes Nanlite Pavotube 30C Light Kit Boom NTG2 Zoom H5 Recorder Davinci Resolve 18.6.2 FilmConvert Pro Nitrate Leave any comments or questions down below or message me personally! I love to take in new input.

Thank you Charlie for helping shoot! Camera nerdy like me? :3 Technical stuff I used for this, iPhone 15 Pro Max (video and audio) iPhone 12 (Some shots) GoPro Hero 5 (Some shots) DJI Osmo Mobile 6 Davinci Resolve 18 Adobe Media Encoder Leave any comments or questions down below or message me personally! I love to take in new input.

A poem (Home Away from Home by David Harris) reading from a group of students. They are all connecting from their experiences feeling the passage of time, memories, and growth as people. Film includes real-life childhood videos for the cast. Director, Writer: Nancy Sheehan Asst. Director: Summer Rhodewalt Editor: Ruby Lefand DP, Sound, Asst. Editor, Colorist: Dean Milan Producer: Cole Mihalich, Sophie Rittenhouse Song: "Agape", If Beale Street Could Talk, Nicholas Britell Camera nerdy like me? :3 Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Sigma 18-35 Metabones Canon EF-MFT Ultra Speedbooster Sony FX6 RODE NTG2 Zoom H5 Recorder Davinci Resolve 18.6.2 FilmConvert Pro Nitrate Leave any comments or questions down below or message me personally! I love to take in new input.

Thanks for watching! If you have any questions or want to reach out, contact info is at the end of the video! Song: Summer in September by Notize (artlist.io) https://artlist.io/royalty-free-music/song/summer-in-september/75868 Camera nerdy like me? :3 Technical stuff I used for this, Davinci Resolve 18.6.2 Adobe Photoshop Leave any comments or questions down below or message me personally! I love to take in new input.

JADA Toy commercial, 1967 Chevy Corvette Stingray 15sec ad Film Class 424, Prof. Thelin Voiceover credit: "I will narrate a deep gritty american male voiceover" Tom Gallagher aka voiceovermanllc on FIVERR Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Rokinon Cine DS Primes Titon 90 Battery Metabones Canon EF-MFT Ultra Speedbooster Nanlite PavoTube II 6c 2 Light Kit (with Case) HDR Project: Davinci Resolve 18 → Project Settings → Color Management Color science: DaVinci YRGB Color Managed Automatic color management → CHECKED YES Color processing mode: HDR Output color space: HDR HLG HDR mastering, CHECKED YES, 1000nits Enable HDR10+ is CHECKED YES HDR Exporting: Single Clip Format: Quicktime Codec: H.265 Hardware accel. if available Export and Embed HDR10 Metadata are both CHECKED YES Resolution and frame rate up to you (4096x2160 DCI @ 23.976fps) Quality: restrict to 85000 Kb/s Encoding profile: Main10 Key Frames: Every 1 frames ADVANCED settings Data Levels: Full (ALWAYS MAKE SURE OF THIS) Color space and gamma tag, same as project Force sizing and debayering to highest quality, both CHECKED YES Audio: AAC 320Kbps, 48000 sample rate 4k 15 second video, took 4-6 hours to become HDR on Youtube. Music and Foley: "The Mind Sweepers" by Laid Back (artlist.io) 1968 Corvette Sting Ray cold start 434359__csengeri__close-lightning-strike-2018-07-07 315918__bevibeldesign__electric-zap Leave any comments or questions down below or message me personally! I love to take in new input.

Hector was suspicious. Film Class 329, Prof. Stanley Cast and Crew: Will Harwell as "Walter" Austyn Finley as "Jesse" Owen Johnson as "Hector" Juan S, de Lima as "Tuco" Directors - Lucy Wu, Owen Johnson, Dean Milan Editor - Noah Estes Asst. Editors - Owen, Dean Camera Operation, Audio Mix and Mastering - Dean Cinematography - Lucy, Dean Boom Op and Sound Capture - Dylan Wheat Script Supervision - Noah Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Rokinon Cine DS Primes Titon 90 Battery Metabones Canon EF-MFT Ultra Speedbooster Zoom Audio Recorder RODE Shotgun Mic Davinci Resolve 18 FilmConvert Pro Music and Foley (freesound.org): "Me Gusta Tener De A Dos" by Los Cuates de Sinaloa body falls on floor by australopithecusman bodyfall carpet by kbnevel Leave any comments or questions down below or message me personally! I love to take in new input.

Your favorite action-comedy gone horror? Very spooky! Technical stuff I used for this, My soul and computer AVID Media Composer 4kDownloader Adobe Media Encoder Leave any comments or questions down below or message me personally! I love to take in new input.

Had such an amazing time producing my first major film in SCAD Savannah! Special thanks to the Historic Theatre of Savannah for letting us film at location, I couldn't be more grateful! Film Class 232, Prof. Alan Caso Cast and Crew: Camryn Harben as "Erin" Myles Bright as "Rodrigo" Kaitlyn 'Ghost' Burhans and Devaditya Khemlani as "Couple" Director, Producer, Editor, Colorist, Sound Designer - Dean Milan Director of Photography - Ash D'Arcy 2nd AC, Grip - Cam Kolega Location Audio, Asst. Sound Mixer - Ruby Lefand Gaffer, Lighting, Grip - Evan Zheng PA, Grip - Lizzy McBride Security, Grip - Zoe Poole Technical stuff I used for this, RED Komodo Camera Titon 150 Micro Gold Mount batteries Rokinon Cine DS Primes Wireless Lavaliers Zoom H4n Pro RODE NTG2 Shotgun Mic Zoom H5 Nanlite Pavotube 30C AKG K361 Headphones Davinci Resolve 18 FilmConvert Pro Adobe Photoshop 24.2 Music and Foley (freesound.org): Steve Poloni - "Zombie Funk" kemitix - Door Open.wav Reitanna - shake popcorn bag2.wav inspectorj - Ambience, Night Wildlife, A.wav forthehorde68 - FX_Impact.wav kyles - hat take off put on.wav inchadney - the night.WAV sidequesting - wallet handling.wav mpue76 - mp_sand afectosdesonido - MECHClik_Plastic Button on off remote_SonicAgency.wav ewanpenman11 - Car drives past 9 Leave any comments or questions down below or message me personally! I love to take in new input.

#motionpicturewhatsappstatus #super16 #vintagefilm I definitely learned a lot with this roll of film! I would recommend most people shoot at 250D, even in broad daylight (probably with an ND also if it gets too bright, past f/22) because of the softness that comes with wide aperture. On film set, once it got a little darker during the day and more shaded, you can definitely tell when I had to open up the aperture to about f/1.8-2.8. The footage looks a lot softer, so honestly I would only use 50D from now on in the most extreme bright scenarios. I think closing aperture coupled with more sensitive 250D film is the way to go, and that makes it versatile for indoors/shaded flexibility too. Love playing with this camera! Technical stuff I used for this, Krasnagorsk-3 Super 16 modified motion picture camera Standard Meteor Lens Zenitar 16mm Lens Helios 44-2 with SLR Magic Anamorphot-40 Compact Kodak Vision 3 50D 5207 One Perf 16mm Developed by Video and Film Solutions (Rockville, MD) http://www.movielab.com/main Scanned in ProRes 4444 5k by Nicki Coyle Studio/"The Negative Space" https://thenegative.space/ Davinci Resolve 18 Leave any comments or questions down below or message me personally! I love to take in new input.

Thank you Aynsley for being my actress! On the other end of a laser blaster, Pusheen kitty is doomed to never see the light of day again. Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Rokinon Cine DS Primes, 14mm, 24mm, 35mm, 135mm Metabones Canon EF-MFT Ultra Speedbooster ZOOM H5n RODE NTG2 Lots of gasoline Davinci Resolve 18 Adobe After Effects Video Copilot's "Heat Distortion" SoundQ Freesound.org FilmConvert Pro Leave any comments or questions down below or message me personally! I love to take in new input.

Alaska is quite a beautiful state, and I had a great time exploring with my dad, Aynsley, and West. Such a wonderful experience! Song: "Astronomy" by Conan Gray Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Sigma 18-35 Rokinon Cine DS 24mm Rokinon Cine DS 50mm Metabones Canon EF-MFT Ultra Speedbooster Davinci Resolve 18 FilmConvert Pro Leave any comments or questions down below or message me personally! I love to take in new input.

#super16 #kodak #puppy I absolutely love my experiences with this camera! It has its flaws, and isn't ideal for sound capture. But for the cost, this camera is an amazing and rugged tool that captures gorgeous images on Kodak's Vision 3 stock! I had a great time hanging around in Savannah, GA. Film is eternal. Technical stuff I used for this, Krasnagorsk-3 Super 16 modified motion picture camera Standard Meteor Lens Zenitar 16mm Lens Helios 44-2 with SLR Magic Anamorphot-40 Compact Kodak Vision 3 50D 5207 One Perf 16mm Developed by Video and Film Solutions (Rockville, MD) http://www.movielab.com/main Scanned in ProRes 4444 5k by Nicki Coyle Studio/"The Negative Space" https://thenegative.space/ Davinci Resolve 18 Topic Colour Luts lncludes sound from, VoiceMemos on my phone "1 hour in a dog park Australia, Relaxing ASMR" by Wandering Ambience Leave any comments or questions down below or message me personally! I love to take in new input.

Average joe has a cruddy life that soon turns around to become even worse. His last decisions could change everything. Both Angelo and I had a lot of fun creating this story and putting it together, both in a style and time frame neither of us have been able to achieve before. This project was fun and has its flaws, but nevertheless, is entertaining. We hope you enjoy! -Dean and Angelo Written and directed by Angelo Azar Jr. Produced and edited by Dean Milan Executive producers Angel S Azar Paul Azar Dean Milan Cinematography Angelo Azar & Dean Milan Music The Ink Spots “We Three” The First Edition “Just Dropped In” Visual & audio fx by Dean Milan Assistant Directors Dean Milan Jose Ochoa Ralph Montero Cast Angelo Azar Jr. Jose Ochoa Luke Gordon Luis Balcells Sebas Nenclares Ralph Montero Andres Ruiz Carlos Vecino Miguel Vega Juan Gomez Technical stuff used for this, Blackmagic Pocket Cinema Camera 4K Panasonic 25mm SLR Magic 10mm Zhiyun Crane 3S Sirui 35mm Anamorphic Sirui 50mm Anamorphic ZOOM H5 RODE NTG2 Davinci Resolve 17 Audacity freesound.org FilmConvert Pro Leave any comments or questions down below or message me personally! I love to take in new input.

A little gallery of my first year experience at SCAD Savannah. Thank you to Film Photography Project for providing the film and processing service! Camera nerdy like me? :3 Technical stuff I used for this, Kodak Brownie Movie Camera f/2.7 Improved Model II FPP Cine 8 Color Negative 40 ASA Film Davinci Resolve 17 Audacity Leave any comments or questions down below or message me personally! I love to take in new input.

https://www.marthalapeyre.com/ #fashion #blackmagic Me: Cinematographer, Editor Martha Lapeyre: Fashion Design Models: Aliya Walton Rebecca de Araujo West Nelson Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Sigma 18-35 Metabones Canon EF-MFT Ultra Speedbooster Davinci Resolve 17 FilmConvert Pro Leave any comments or questions down below or message me personally! I love to take in new input.

Goodbye yall! Thank you to Angelo Azar for helping me produce this project. Music in order: sød ven's "Mystery" Daft Punk's "Touch" Camera nerdy like me? :3 Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Metabones Canon EF-MFT Ultra Speedbooster Rokinon CINE DS Lenses Lots of dry ice Adobe Media Encoder Davinci Resolve 17 FilmConvert Pro Leave any comments or questions down below or message me personally! I love to take in new input.

#cats #cute https://www.facebook.com/kittycampusmiamibeach/ info@sobecats.org Main Kitty Campus Trailer: https://www.youtube.com/watch?v=CYp-p7YfhDg Camera nerdy like me? :3 Technical stuff I used for this, Blackmagic Pocket Cinema Camera 4K Sigma 18-35 Metabones Canon EF-MFT Ultra Speedbooster ZOOM H4n Pro RODE NTG2 SONY ECM-44B Davinci Resolve 16 Handbrake FilmConvert Pro Leave any comments or questions down below or message me personally! I love to take in new input.

Directed by Angelo Azar and Dean Milan Cinematography, Editing, Special Effects by Dean Milan Story by Angelo Azar and Tyler Bukstel Written by Angelo Azar and Rodrigo Souza Special thanks to Claire-Michelle Sweet for being on the crew and helping make this project happen. Technical stuff we used for this, Blackmagic Pocket Cinema Camera 4K Sigma 18-35 Sirui 35mm, 50mm 1.33x Anamorphic Lenses Rokinon CINE DS Primes (14,24,35,50,135mm) Metabones Canon EF-MFT Ultra Speedbooster Allwei Portable Power Station Samsung T5 SSD DJI Ronin-M DJI Mavic 2 Pro RODE NTG2 Green Screen Davinci Resolve 17 Adobe Media Encoder, Photoshop FilmConvert Pro Leave any comments or questions down below or message me personally! I love to take in new input.

Official music video by Saving Herald performing "Breathe"– Available everywhere now on streaming services and more. #rockband #alternative https://www.reverbnation.com/savingherald Director, Co-Editor, Color, Producer: Dean Milan Camera B, Crew: Angelo Azar Bassist, Lyrics: Maxx Nunn Guitarist: Nicolas Lawden Drums: Mackenzie Fortino Vocals: Madisyn Racine Set Photos, Crew: Rodrigo Souza, Gianna Ubiera Blackmagic Pocket Cinema Camera 4K Sirui 35mm and 50mm 1.33x Anamorphics Rokinon CINE DS Lenses Metabones Speedbooster Allwei Portable Power Station High or low you'll sit 'cuz you can't stand Push or pull I'll drag you back to land Day or night you'll dream but you won't sleep Stop or go you'll stay but you won't leave Fast or slow it doesn't mean I can Fight or flight I'm crawling through the sand Sink or swim or maybe in between Stop or go I'm going back to sleep I don't care but maybe that's just me I don't stare or maybe I can't see Break it off oh won't you help me please Let me drown before you let me breathe I don't wanna see you out on your own I'm waiting for you on a new dial tone It keeps me up at night Cut through me with your words just like knives I don't wanna see you blow out your head So don't listen to those words in your bed That keep you up at night I know it's sad but it's true I'll kick the sad out of you Sudden death you meant to call for me Sudden breath of air you'll never breathe Maybe not oh won't you help me please Let me go before you make me leave I don't wanna see you out on your own I'm waiting for you on a new dial tone It keeps me up at night Cut through me with your words just like knives I don't wanna see you blow out your head So don't listen to those words in your bed That keep you up at night I know it's sad but it's true I'll kick the sad out of you So maybe you can stray far from the tree or kick it all out of me But let me be the oxygen you breathe I don't wanna see you out on your own I don't wanna see you out on your own I don't wanna see you out on your own I'm waiting for you on a new dial tone It keeps me up at night Cut through me with your words just like knives I don't wanna see you blow out your head So don't listen to those words in your bed That keep you up at night I know it's sad but it's true I'll kick the sad out of you (I was not supposed to sing that part) Leave any comments or questions down below or message me personally! I love to take in new input.